Rome has always been more than a backdrop for Laura Biagiotti. For Spring 2027, Lavinia Biagiotti brings the history, architecture and enduring beauty of the Italian capital directly into the clothes.
Presented during Milan Fashion Week at the Piccolo Teatro, Laura Biagiotti’s Spring 2027 collection explored the relationship between past and present through one of the house’s most personal sources of inspiration: Rome.
Landmarks including the Colosseum and St. Peter’s appeared across the collection, transformed into prints on pleated dresses, T-shirts and belted silk shirtdresses. Rather than treating the city as a souvenir, Biagiotti used its architecture and history as another layer within a wardrobe made for today.
A Wardrobe Designed Beyond One Season
Longevity remained central to Lavinia Biagiotti’s approach.
The collection included feminine floral dresses, rose-patterned pieces and the soft knitwear that has long been part of the Laura Biagiotti identity. Lurex and micro-sequins added flashes of light, while crochet brought a more relaxed texture to the season.
The result was romantic without feeling overly precious. There was a sense that these pieces were intended to remain relevant beyond Spring 2027—a continuation of Biagiotti’s belief that fashion can move forward without constantly abandoning what came before.
Rome as a Living Inspiration
For Biagiotti, Rome’s past is not something sealed away in history. It continues to influence contemporary life.
That philosophy makes the city a natural match for a collection built around preservation, continuity and transformation. Historic imagery sits alongside modern silhouettes, giving familiar symbols a new context without stripping them of their identity. It also reflects the fashion house’s longstanding relationship with Roman culture and heritage.
From Rome to Milan
The runway presentation brought another element of Italian culture into the story.
Before the collection appeared, Eleonora Abbagnato, director of the Rome Opera Ballet, performed alongside principal dancer Timofej Andrijashenko. Their appearance set a graceful tone before the clothes entered the Piccolo Teatro runway.
It was an appropriate opening for a collection focused on movement between generations, cities and eras. Laura Biagiotti Spring 2027 ultimately makes a simple case for looking backward without getting stuck there. Rome provides the history. Biagiotti provides the wardrobe for what comes next.